Other times, Kings of Leon sound like they’ve flatlined their sound while trying to streamline their appeal. Kings of Leon haven’t gotten to the point where “Use Somebody” is their default setting, but it has become their benchmark, and Come Around Sundown attempts to replicate that song’s success while still giving the middle finger to Top 40 radio. All detours aside, this is super-sized, guitar-driven, modern rock pomp, a sort of Only by the Night: The Sequel aimed at those who prefer their KOL songs big and bombastic. Use Somebody song from the album Only By The Night is released on Sep 2008. The few diversions from that template are some of the album’s best moments - “Mary” sweetens the band’s sound with a little doo wop, and “Beach Side” focuses on casting a mood rather than creating a spectacle - but they’re too scattered to change the "go big or go home" mentality, and the twangy “Back Down South” (which soared during the band’s mid-summer 2010 tour) never quite leaves the ground in its recorded version. Listen to Kings Of Leon Use Somebody MP3 song. Nowhere is this more evident than in Caleb Followill’s choruses, most of which seem to revolve around sustained high notes, and Matthew Followill’s guitar lines, which split their time between moody textures and cyclic, reverb-heavy riffs. Use Somebody by Kings OF Leon, released 01 June 2017 'Use Somebody' I've been roaming around Always looking down at all I see Painted faces, fill the places I cant reach You know that I could use somebody You know that I could use somebody Someone like you, And all you know, And how you speak Countless lovers under cover of the street You know that I could use somebody You know that I could. After touring in support of Only by the Night for two years, the guys are acutely aware that loud, booming anthems are the best way to fill a stadium, and Come Around Sundown is engineered to sound as immense as possible. Success seemed calculated: ‘Only By The Night’ appeared to be the band’s pitch to become the next U2, written with the intention of being played in stadiums on a nightly basis.Ī highlight, ‘Crawl’, builds on the creepy magic of 2007’s ‘Charmer’, while ‘Closer’ has a claustrophobic but ambitious air about it.The answer? Well, none of these songs are as blatantly commercial as “Use Somebody,” but none have the artsy, Appalachia-meets-London charm of Aha Shake Heartbreak, either. It was where some fans decided Kings Of Leon had “sold out” and forgotten their roots.īut s oppy pop ballads like ‘Revelry’, ‘Manhattan’ and ‘Use Somebody’ proved to be what the album is remembered for, though. Even Razorlight frontman Johnny Borrell had seen enough, describing ‘Sex On Fire’ as “basically the apex, death and afterlife of landfill indie all in one go”. Whether they’d meant it or not, ‘Only By The Night’ pushed them into a space where there was no returning from.
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In 2010, Caleb was forced to face up to accusations that the band had lost their way. “‘Sex On Fire’ was the apex, death and afterlife of landfill indie all in one go” – Johnny Borrell “Everyone talks about indie this and indie that, but would you really want to be one of those indie bands that makes two albums and disappears? That’s just sad,” he told Rolling Stone. The sprawling ‘Only By The Night’ tour, which kicked off with a Glastonbury headline set in June 2008, saw them take in arenas all across the planet, including four shows at London’s o2 Arena. Soon, it became memorable for all the wrong reasons.
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Being a commercially successful act will inevitably alter the fanbase – new fans may not dig the older, rawer material while the originals resent the new mainstream direction.